Roman Aqueduct

Three years ago, about this time of year, we spent a three-week vacation in Provence, France. The region is surnamed “The Roman Province” for a reason. It is rich in monuments and ruins built in antiquity by the Romans. This week, I wanted to paint on half-sheet paper for the first time and experiment with […]

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Distilled clock

Posted by on Aug 16, 2026 in Experimenting, Study, Tonal study, Watercolor

During the plein air session at the Toronto Distillery last week, I found inspiration for a composition centred on the clock tower. The beautiful blend of warm and cold colours reflected by various architectural elements of that site makes it specially appealing for a study. For a value study, I chose to simplify the objects […]

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Verticals coming to light

Posted by on Aug 07, 2026 in Study, Watercolor

Since it is still Summer and I want to paint the hot light of the afternoon, I found this reference photo in my album, taken some years back while visiting the Alhambra in Spain. This is a view of the Peinador de la Reina Alhambra seen from the Southern wall. When I took the photo, […]

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Work at McMichaels Gallery has begun

Posted by on Aug 04, 2026 in Experimenting, Study, Watercolor

As announced on the Gallery website, regeneration work has just begun. Following my plein air session there last Thursday, I set out to paint a composition that reflected the moments of initiation I experienced there. You can see my vlog with impressions on the site in the video below, I drew a value study for […]

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Contrasting painting fine-art with illustration

Posted by on Aug 02, 2026 in Art theory, Experimenting, Watercolor

A fine artist’s primary goal is usually to create an aesthetic and emotional experience, while an illustrator’s is to communicate an idea, story, or message. Comparing the two styles at a more detailed level, I can come up with the following list: Fine artistic concern Illustration concern Emotion and aesthetic experience are primary. Communication and […]

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